Welcome!


A great man (I think it was Mr Miyagi from The Karate Kid) once said:

"There is no such thing as a bad student. Only a bad teacher".

Wise words.

And some that really make sense to me, having been involved in drum and music

education professionally for the past 10 years. In that time I have been extremely

fortunate to have met some truly inspirational teachers and I would like to dedicate

this blog/magazine - (you could call it either a blogazine or a blagazine, depending

on if you think I know what I'm talking about!) - to those drummers who have really

made a difference in the world of drums and drum education.


Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Sunday, December 25, 2011

Matteo D'Ignazi Interview

MERRY CHRISTMAS all you Drumazine readers!  Here is one half of the Christmas day interview special with Italy's newest drumming sensation, Matteo D'Ignazi!!!








Drumazine: Hello Matteo! Welcome to Drumazine! For those people reading who might not already know you, please can you tell us a bit about yourself and your career as a drummer.

Matteo D’Ignazi: Hi guys!!!  I'm Matteo D'Ignazi from Pisa (Italy), i'm 25 years old and i'm a drum teacher and a touring musician, so i divide my life between drum lessons, the stage and the recording studio.

­­­­Dzn: Now a typical, but essential question: How old were you when you started drumming?

MD: I started playing drums when i was 13 years old.  My first approach with the drums was with my father (he was a drummer) and some friends of his.  I was at the rehearsal of a jazz band and in this band the drummer is one of my dads best friends.  When i saw the drums for the first time, I was immediately in love!!

Dzn: And did you have lessons at school, or with a private drum teacher?


MD: I began to study with a great teacher; Giampaolo Pellicci.  He gave me great advice and he prepared me a lot about technique with the help of great books like Stick Control, Syncopation, Gene Krupa, and also i started listen to great drummers like Steve Gadd, Gary Chaffee, Dave Weckl, Vinnie Colaiuta & David Garibaldi.  I have studied with other great musicians; Fabrizio Desideri, Christian Meyer, Piero Borri & Andrea Spinetti and I have a diploma (with merit) from Drumtech, a great music college in London, where i had the opportunity to study for one year with Bosco de Oliveira, Erik Stams, Giuseppe Grondona, Darryn Farrugia & Philippe Castermane. Also i have participated in many masterclass's with some of the worlds most famous drummers, like Steve Gadd, Dave Weckl, David Garibaldi, Horacio Hernandez, Benny Greb, Steve Smith, Gregg Bissonette, Pete Lockett, Maxx Furian, Stefano Bagnoli, Ellade Bandini, Maxx Furian & Cristiano Micalizzi.
Dzn: Was your teacher at that time an inspiration?


MD: Absolutely, all my teachers were, and still are my great inspiration.  So this is a beautifull thing for the teacher and for the student, because it means that something concrete has been created deep in the soul.
Dzn: Have you had any other form of education in drums and/or music?


MD: Yes, i think that it's really important for a drummer learn music theory, and also play other instruments!  I studied trumpet for 2 years and i have participated in courses of music theory.

Dzn: What would you consider to be your first “success” in music?

MD: I like to play guitar, and I'll soon begin recording a new album of my personal project called Ozlo with another talented musician, Filippo Cosci.  The songs are composed by myself and by Filippo and I will be recording the drums, guitar and synthesizers.  F
or me this is another important goal in my career as a musician.

Dzn: Would you describe this as a “defining moment” in your career?

MD: Personally, I don't think that it's important want success or to be the best drummer in the world; I never think about these things.  My greatest success is to have a salary doing what I love most in the world: play drums every day. It's awesome!
Obviously I always try to do better; I'll continue to study and try to grow my music baggage.
My “defining moment” is my year spent in London to study drums and music.
It was during that year that I decided that I wanted to be a professional drummer, so when I came back to Italy I started teaching in various music schools, in my private studio and playing in different bands and touring the world as a session musician.  I have just returned from a tour of 40 gigs in U.S.A with an English band called Capelle, (below), to promote their new album [where I recorded the drums].




Dzn: You’ve talked about success; have there been any failures, defeats or bad times you can tell us about?

MD: There have been not so much failures, but more what I would describe as bad moments, where I thought that the career of a professional musician was too hard and so difficult...  I mean, it is really difficult, but if you really believe in what you do, then you get to do what you want.  All of us have opportunities.

Dzn: Have you ever encountered any physical or psychological problems?  If so, how have you combated these problems?


MD: I'm very lucky because I never had problems physically.
The biggest psychological problem that many drummers have is to be uncomfortable in their playing because they don’t feel sure; maybe because they are playing in front off hundreds of people, or maybe in front of a jury (examination board or tutor).
There is a great book called “Mental Training For Musicians”.  This book illustrates all the techniques of "mental training" to increase the control of movements, to create a precise internal representation of the sound to be produced, controlling emotions, overcome anxiety and muscle tension.
I recommend it to all musicians!!!!

Dzn: Onto equipment! For all those gear-heads out there, what kit (drums/cymbals/anything else you would like to mention) do you play?

MD: I am very proud to be endorser for three great companies: i use STOCCO DRUMS, great custom drums from Italy and completely handmade.  I have two different sets with different sizes: one is my “Rock” set, the other one is my “Funk/Jazz” set.
I'm endorser of “DIRIL CYMBALS”, great cymbals from Turkey: i use the Raw, Special, Hammer and Jazz series.
At last i use the AGNER DRUMSTICKS, great drumsticks from a company with decades of experience.  I use the classic 5A.

Dzn: With the advent of new technology on what seems to be a daily basis, what modern technology do you incorporate into your practice, teaching, recording and live work?

MD: New technology is now something essential for all musicians.
For practice... How many drummers use a metronome??  Most drummers use them I think.  I personally have always used and studied with a metronome, (the greatest friend of the drummer)  :)
Another thing I often do, is to record myself during practice: I use an interface with just a couple of inputs for the microphones, a computer and any software like Cubase, Logic or ProTools (personally I use Logic, but all of this programs are very good!!).
Live performance: in many bands I use a metronome, this is important if you want to be very precise, and it's essential if there are samples.
Teaching: during lessons I use a metronome and a computer to demonstrate samples where the student can apply what he has learned in the lessons.

Dzn: Is there any other advice you would like to give young drummers?

MD: Yes. Listen to as much different music as possible!  Don't stick to a single genre; open your mind!  Also, study with a metronome, watch the great drummers and go to concerts.

Dzn: Would you like to promote yourself a little bit? Now’s your chance! Please tell us about any tours, releases, web links, endorsements etc…

MD: Thank you to STOCCO DRUMS, DIRIL CYMBALS, AGNER DRUMSTICKS.


Currently i'm playing with:


a postrock/experimental band called NUT (I recorded 2albums), i'm touring Italy, Germany, England. You can find some stuff on youtube or google, or check these pages:
www.myspace.com/nutbanditaly
http://sinusiterecords.bandcamp.com/album/nut-gravit-inverse (Here you can listen the new album!!!)


a garage/indie band called Strange Flowers: Tour started 17th december, 50 gigs in Italy, Germany, Spain, France, England over the next 6 months.
a funk/jazz band called John la Forges.  I'll be recording a new album in January.  You can find some stuff on youtube and google.

Also my very own website(s) where you can find videos, news and the next shows:

Thank you so much Drumazine!!!!!
GROOOOOOOOOOOVE

Dzn:  Thank you and Merry Christmas to you Matteo!  Keep smashing the drums up and we look forward to hearing from you in 2012!



Tuomas Vuorio Interview

MERRY CHRISTMAS all you Drumazine readers!  Here is one half of the Christmas day interview special with Finlands very own metal drumming hero, Tuomas Vuorio!!!





Drumazine: Hello Tuomas! Welcome to Drumazine! For those people reading who might not already know you, please can you tell us a bit about yourself and your career as a drummer.

Tuomas Vuorio:  Hi everyone.  I'm Tuomas Vuorio - 28 yrs old (semi) professional drummer from Finland.  "Semi" because i have an actual day job!  I live in Turku and I play in 5 different bands -  Mysore is my main band.  I have played for lots of different bands and many different styles.


Dzn: Now a typical, but essential question: How old were you when you started drumming?


TV: At age of seven.


Dzn: And did you have lessons at school, or with a private drum teacher?


TV: Well, for the first three years my uncle taught me to play drums.  After three years I had better technique and stamina, so I started to take drums lessons from Finnish professional drummer Petteri Määttänen.


Dzn: Was your teacher at that time an inspiration?


TV: Yes at that point he was and after 20 years i can still find the same mannerisms between Petteri`s style and mine.


Dzn: Have you had any other form of education in drums and/or music?


TV: Yes, i have played 5 years in Salon Musiikkiopisto, (playing everything from Marmibas to Timpani)


Dzn: What would you consider to be your first “success” in music?


TV: When people began to recognize me on the street as the rock drummer who played in the "well-known" band...


Dzn: Would you describe this as a “defining moment” in your career?


TV: It was nice, but of course fame did bring lots of pressure.  After all, I was 17 years old when it happened.

Dzn: You’ve talked about success; have there been any failures, defeats or bad times you can tell us about?


TV: Sure we had some failures too.  Young age, racy lifestyle and alcohol all combined to have a detrimental effect on our shows and music, so because of that we became a shooting star.  "Quickly to the public, but fast obscurity".


Dzn: So, would you describe the problems you have encountered as physical or psychological?


TV: I have been spared from major injuries.  Only minor physical injuries: bruises and a distorted ankles etc...


Dzn: How have you combated this problem?


TV: A lot of sports, exercise variety and good muscle fitness


Dzn: Onto equipment! For all those gear-heads out there, what kit (drums/cymbals/anything else you would like to mention) do you play?


TV: Well im a equipment junkie!  I have two drum sets.  My main kit is Pearl Masters Custom MMX (Silver sparkle) Kit, with 10", 12", 13", 16" Toms, and 22"x18" Kickdrum.  My secondary kit is Shine Custom Drums 100% Birch (RootBeer wallnut) kit, with 8",10",12,",14",16" Toms and 2x 22"x20" Kickdrums.
I have 3 snares at the moment.
13"x6.5" Pearl Joey Jordison snare (Custom painted, with stars on it )
13"x5" Jackshop Bubinga snare
14"x6.5" Pearl Reference snare (Maple / Birch)
I use Sabian cymbals, mostly AAX series, and i have also LOADS of fine Turkish cymbals by Diril Cymbals at my studio.
Basic setup of cymbals i use is 2x14" Hats, 2x 22" MegaBell ride, 17",18",19" Crashes, 6",8" Splash, 18", 19" Chinas.
I use Pearl Hardware 1000 & 2000 series.  Pearl Icon rack (custom modified) and 2xPearl RH-2000.
Tama SpeedCobra Doublepedals and Pearl DemonDrive double pedals
iPod, Palmer D.I Box, Soundcraft Mixer, Shure IN-Ear monitors.


Dzn: With the advent of new technology on what seems to be a daily basis, what modern technology do you incorporate into your:
a. Practice? TV: (iPod, with guitar tracks and click)
b. Live performance? TV: (iPod with click, Backing tracks)
c. Recording? TV: (Click, Trigger for bass drums. (only for the midi tracks, when i wanna have little power from steven slate) 
d. Teaching? TV: Click, drum machine, digital recorder

Dzn: Is there any other advice you would like to give young drummers?


TV: PARADIDDLE IS MEANING OF LIFE


Dzn: Would you like to promote yourself a little bit? Now’s your chance! Please tell us about any tours, releases, web links, endorsements etc…


TV: So everyone feel free and go check out my band:
www.facebook.com/mysoreband
www.myspace.com/mysoreband
We`re arrangin few big tours for summer 2012, stay tuned \,,/
And last but not least, im endorsed with:
Sabian, Balbex Drumsticks, Beyerdynamics, Aquarian Drumheads, Cympad.



Dzn:  Thank you and Merry Christmas to you Tuomas!  Keep smashing the drums up and we look forward to hearing from you in 2012!



MERRY CHRISTMAS!!!

Drumazine has had a busy festive time - but, here on Christmas Day we have a little present of 2, yes TWO, special interviews for you!

I hope Santa bought you all the percussion gifts you asked for, and if he didn't then you must have been a naughty little drummer!

Merry Christmas from Drumazine!  And enjoy the interviews with the amazing Matteo D'Ignazi and the wonderful Tuomas Vuorio.

See you in 2012!

Drumazine

Saturday, December 3, 2011

Who would you like to see interviewed???

Hello again (or maybe just "hello" if this is your first visit)!

I would like to know; If there is one drummer in the world that you would like to see interviewed, who would it be?  And, what question would you like to ask them?

I have already had some success with this idea, as one of my UK students suggested I try to get an interview with the fantastic Travis Orbin.  Mr Orbin kindly agreed!  He gave up some of his extremely precious time to answer some questions from us.

So, if there is someone that you would like to see interviewed, contact me here and let me know.

Also, if you are an instrument manufacturer who would like some free (yes, FREE!) press, please also contact me on the above link and I will be happy to interview you about your company and product.

Please enjoy the interview with Mr Orbin which was posted here earlier today, browse the rest of the magazine (still in it's infancy!) and subscribe &/or follow this blog for more great interviews with some amazing drummers!

Travis Orbin Interview!

The fantastic Travis Orbin agreed to give up some precious time to be interviewed for Drumazine.
















I can only describe Travis as, well, a beast!  I don't mean that in any derogatory way at all!  Quite the contrary - It should be taken as a compliment when I say he is a monster behind the drum kit...  

The heavy genre's that Travis leans toward involve hugely technical study and application:  Some extremely complicated 4-way playing and absolute precision.  He is, maybe some would say, a technical wizard.  This doesn't detract from his live performance (here with Sky Eats Airplane) though; Live, it is definitely engaging, energetic and fascinating to watch!




Drumazine: Mr Travis Orbin!  Welcome to Drumazine!  Please introduce yourself to our readers.

Travis Orbin: Greetings!  Most folks are cognizant of me through either my YouTube channel or my past association with Sky Eats Airplane and/or Periphery. However, I've been in and out of various local/regional bands since I graduated high school.  I began doing session work for other artists in 2008 and it's grown and blossomed into more opportunities since that point onward.

Dzn: How long have you been playing the drums for?

TO: At the time of writing this, it'll be sixteen years this Christmas.

Dzn - (Question thanks to Josh Rankin): Some would say you are a master of 4-way co-ordination.  Can you explain what it is that you practice to achieve such amazing results?

TO: Firstly, I'd state that I'm certainly no master, hah!  My interest in ostinatos was piqued early on when I took private lessons.  My instructor would turn me on to the more common ones: 'feet in 4', samba, kick - pedal hat - pedal hat (3-4), jazz ride rhythm, etc.  We'd also go through books such as TheNew Breed, which would provide further challenges.  Plus, I was into Dennis Chambers so I had the pedal hat - pedal splash thing down, which naturally grew into pedal hat - pedal hat - splash, phrased as two eighths and a quarter. Through my own autodidactism, I got into Maria Martinez's book 'BrazilianCoordination For The Drum Set', which took me into territory such as the baiao and tumbao ostinatos.  After growing fond of Horacio Hernandez's drumming, I integrated some clave figures along with what I got out of Maria's book.  Then down the road, I took an interest in the more nightmarish stuff, things that Donati and Minnemann were doing and would compound the difficulty by putting my own spin on their exercises.  Nowadays, I'm not as focused on that approach but it's still a part of my playing.  I like to compose unique ostinatos (regardless of the limb combos) that I haven't heard anyone play, and try to phrase the remaining limbs around the figure.

Dzn: How much practice do you usually fit in to the average day?

TO: Much of my practicing is centered around the material that I'm expected to track in a (very) near future recording session, so it greatly depends on the length and difficulty of the tune(s).  I have some daily/weekly exercises that I adhere to but -- as stated -- the main thrust is to rehearse the material.  A practice session can vary as much as three hours in one day to eight and sometimes even ten.  If I go any longer, I faint from hunger! Haha.

Dzn: Can you tell us a little more about the bands you have played for. Are there any particular successes you would like to talk about?

TO: I was in Periphery from either Aug or Sept (can't recall the exact month) of '06 to Feb '09.  Joining forces with them was critical for me from an artistic standpoint, early on.  I was knee-deep in my Mangini/subdivisions/click-playing phase and it was crucial to have to perform such mechanical, syncopated, frantic music against a click.  Don't get me wrong, though - I still adore Mike's playing, love toying with subdivisions and am still absolutely MARRIED to the click.  Previous to that change, however, I wasn't; it was a necessary transition to get to where I'm at -- both in regards to my facility and ideas -- and where I want to go.  Another big highlight for me was the first Sky Eats Airplane tour.  The very first gig I ever played with them was at a convention center in Texas, in front of about four thousand people.  All but two shows on that entire tour were sold out; we were support for A Day To Remember and The Devil Wears Prada.  That whole experience is still a bit surreal to think about.

Dzn: What would you consider to be your first “success” in music?

TO: Being recognized by the members of SEA as a someone to take an interest in and someone to consider a band mate was a success.  At the time of my joining, they had a good buzz about them and a record out (the 'self-titled' release) of which I was totally enamored; it was equally cool that they were on a respected label such as Equal Vision.  Of course, the subsequent first tour that I mentioned was a success as well; it was not only a positive experience but I made substantial money playing music, something I had only prior experience with through teaching.

Dzn: Would you describe this as a “defining moment” in your career?

TO: I'm not sure. I think I'm still getting there!

Dzn: You’ve talked about success; have there been any failures, defeats or bad times you can tell us about?

TO: I don't prefer to regard the adverse moments in my career as 'failures' but learning experiences; some are tougher than others.  The worst I can recount is when I realized that I really had to get my act together as far as timekeeping goes.  I was recording frequently in a project with my best friend, Taylor Larson, and I never really preferred to record to a click.  Listening to the playback and receiving dire criticism from close friends and associates, it was incredibly disheartening at first.  However, fast forward a few years and everyone on YouTube thinks I'm a robot because of how tightly I can play, hah! (I'm still not nearly as 'clean' as I'd like but I work on it every day!)

Dzn: So, would you describe the problems you have encountered as physical or psychological?

TO: Both, at first.  The psychologically-fear-induced portion subsided as I grew more confident and comfortable with the click and the 'red light' being on.

Dzn: How did you combat this problem?

TO: Recording myself often has helped.  Seeing my 'hits' displayed in Pro Tools aligned with a MIDI drum track (as 100% mathematically precise as possible) is brutal but reveals that things ARE improving.  The way my practice kit is setup and the way everything interfaces (click, mics) also allows for instantaneous feedback in regards to how tightly I am performing, and that's always a motivation.  Finally, counting out loud (or under my breath) helps keep everything in time much better than not doing so.

Dzn: Onto equipment - What kit (drums/cymbals/anything else you would like to mention) do you play?

TO: I endorse Pearl Drums and TRX Cymbals. All of the other specifics are inventoried here: http://www.travisorbin.com/equipment.htm



Dzn: With the advent of new technology on what seems to be a daily basis, what modern technology do you incorporate into your:
a. Practice?
b. Live performance?
c. Recording?
d. Teaching?

TO: My practice and live performance setup is pretty much exact, technology-wise. I use the same mixer/cables to acquire dynamic feedback from my kick.

When recording out of my home studio, I record into Pro Tools with my magnificent analog gear, tracking to either my DB-90 metronome or a pre-programmed click track that I upload to my iPod.

Teaching is even more old-school, for me. I prefer 'in-person' lessons and aside from that I sell video lessons through my Big Cartel store (listed on my website). I'm not really into the webcam thing because I think it's clunky and awkward; I don't even have a connection at my studio, heh.

Dzn: Do you have any other jobs than "drummer"? Is this a financial necessity or because you enjoy a diverse lifestyle?

TO: Aye, I still must work a side job in order to sustain the quality of life that I prefer.  I don't mind it, but I'd be super-ultra-mega-happy if I could make a living solely off of music-related work.

Dzn: Would you like to promote yourself a little bit?  Now’s your chance!  Please tell us about any tours, releases, web links, endorsements etc…

TO: These links will tell you everything, if you dig deep enough:




Finally, Drumazine would like to say a huge THANK YOU to Travis for his time in answering these questions and also to Josh Rankin who suggested the interview.

Until next time...